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I got a real chuckle out of viral video link my son sent me. It is likely you have seen it already given the speed with which such clips get shared these days. A few days after I saw it, the clip got coverage in Advertising Age and Creativity. And a few more days later, it makes its debut here at NewtonIdeas. Syndication reruns are soon to follow.

In case you haven’t seen it, I won’t spoil the fun. Here is the video:

Now, that the show is over and the dust has settled, I have some questions.

When did Turner Broadcasting define the TNT brand as the “Drama” network? (I have to admit I don’t watch a lot of TV and am partial to AMC because of Mad Men and Breaking Bad.)

Did anyone grasp the irony of selling a network dedicated entirely to weekly dramas by staging a stunt built around a hugely comic premise? (Larry David, Judd Apatow, Will Ferrell need not apply.)

Was this a one-and-done for video only effort? (That’s a rhetorical question, but I can’t imagine being a bystander witnessing the epic results of pushing that button and not wanting to press it again and again.)

TNT's site for Benelux pushes its "Drama" shows front and center.

TNT's site for Benelux pushes its "Drama" shows front and center.

How successful has this been in its core purpose — introducing TNT as a new cable offering in the Benelux countries? (While buzz has definitely been generated, I suspect all those TNT drama shows will have a tough time following this act for ongoing entertainment value.)

Why are European town squares so conducive to planning and executing elaborate viral video stunts? (Here is a link to an early Angry Birds promotional effort.)

What is TNT doing to translate that viral excitement over here? (I suspect Occupy Wall Street has spoiled the chance of any US town squares being taken over for promotional purposes the rest of this year.)

I don’t have answers to any of these questions. I just found myself surprised by how much effort went into a single surprising moment of fun, how that moment runs somewhat counter to the brand message, and how little follow-through in the way of integrated marketing communications is in place to take advantage of all the buzz that’s been generated. No one said the advertising business is easy.

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Gillette spends a lot of money on big budget well-made razor and blade advertising.

Gillette spends a lot of money on big budget well-made razor and blade advertising.

In a digital marketplace crowded with marketing channels and marketing messages, businesses are faced with the age-old question — How do you cut through the clutter to get attention? With awesome creative, of course!

I just watched a late-night tv commercial from Gillette for ProGlide shaving cartridges that promises to last 5 weeks before dulling. It was aimed at the young male 20something demographic. It featured global travel, exotic locales, and the idea of around the world on a single blade. It was excellent in a big budget epic way. I’ve recently seen another well-done Gillette commercial for the Fusion ProGlide Styler featuring noted music and acting personalities with facial hair, André 3000, Adrien Brody, and Gael Garcia Bernal. A fresh approach in a competitive category. I’ve also stopped by the men’s shaving aisle during a grocery run and been overwhelmed by blade choices. Survey Gillette’s product lineup here for what I mean. Add in Schick’s offerings and it can be genuinely stupefying to remember what brand and version is in your own medicine cabinet. What’s more, razor blades now all come in plastic lockboxes that need to be opened at checkout in order to prevent shoplifting of these increasingly high-priced personal care necessities.

I’m guessing Michael Dubin found himself similarly challenged to buy and pay for a razor and blades when he conceived his new start-up A blade of the month club? Sounds like it may have been something tried and failed during the boom and bust period. Wrong. This enterprise is 2.0 conceived, built, and rolling.

I dare you to watch this YouTube viral gem without chuckling multiple times at how well-crafted on a micro budget it is. This isn’t Victor Kiam “I liked the shaver so much I bought the company” — it is Michael Dubin taking you behind the scenes at his entire start-up operation to cheekily demonstrate why his blades are so inexpensive and such great values at the same time. The clip is so entertaining that it has already been featured content on Mashable , All Things D, and Huffington Post and is already over one million views on YouTube.

The DollarShaveClub web site is very focused and offers good, better, best choices.

The DollarShaveClub web site is very focused and offers good, better, best choices.

But the terrific creative doesn’t end there. The web site itself is a model of smart sales copy, good/better/best consumer choices, terrific graphic design, and ease of e-commerce. In other words, creative and commerce are in collusion for maximum results. Big package goods corporations have a lot invested in brand identities and line extensions, including big ad production and media budgets to feed the sales pipeline. Michael Dubin doesn’t have those luxuries. But he does have a winning concept and an awesome creative vision.

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The Mütter Museum is a Philadelphia Must-See.

The Mütter Museum is a Philadelphia Must-See.

If the question is “May I take photography inside of all your marvelous medical oddities, curiosities, and maladies?”, the answer is a definite no. But actually, my question is “Can I blog about Philadelphia’s infamous Mütter Museum?”, and I’m just going to plunge ahead, not waiting for an answer, and beg forgiveness later.

If you are a Philadelphia area resident and you have never ventured to 22nd Street between Market and Chestnut, to the College of Physicians’ amazing, disturbing, and eye-opening (and in some cases, oozing) Mütter Museum, you owe it to yourself to put it on your New Year’s Resolution list. A visit will cure you of thinking hypochondriacs are crazy, it will give you new respect for the medical pioneers who have helped us achieve the healthcare available to us in the 20th Century, and it will create empathy for some remarkable people who have had to endure some physical handicaps, indignities, and challenges that underscore the strength of the human spirit.

If you are from outside of Philadelphia, I have good news for you — the Mütter is now available to you every Monday via its very own YouTube channel with a video minute starring its current curator. I would like to salute the Museum’s marketing team for its social media inventiveness (you can also connect with the Mütter via Facebook and Twitter). They are leveraging digital and social to connect in an educational and entertaining way with a wide audience of museum members, followers, and potential new converts. Marketing creativity has long been a strength of the Mütter, however. A good many years ago, a former curator was a semi-regular guest on David Letterman’s show. Earlier this fall, the Mütter premiered an art film by identical twins, the Quay Brothers, who were likely drawn to the collection by the saga of conjoined twins Yang and Eng. The museum really understands that its halls are filled with exhibits that are offbeat at best, off-putting at worst, and that it needs to play to its strengths, but with 365-days-a-year unconventional outreach.

As great as the new YouTube channel is (deep, too, with around 100 videos), you need to visit in person to get the full Mütter experience. The Soap Lady needs to be seen in the flesh (or in all her saponified glory). There are several preserved ovarian cysts that are (I’m not exaggerating here) larger than our Butterball Thanksgiving turkey for 12. Then, there is the mega-colon (also preserved and on display) from a man whose bowels’ nerves were contributing to the worst constipation problem anyone could ever possibly conceive of (until you see it on display). Perhaps the most amazing thing I learned was that the Hahneman of yesteryear found nothing they could do, so they discharged the poor man (not the hospital’s finest hour).

The Mütter is a tourism treasure of the City of Brotherly Love and needs all the love it can get. Here is a holiday card in the form of a very entertaining Gamestop commercial from Christmas season 2010 that has nothing to do with the Mütter, but as you’ll see, everything to do with the Mütter:

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The holiday season opened with a very black Black Friday punctuated by pepper spray and other crazed shopping ugliness. Now, it is winding down with a water cooler moment delivered via a lone FedEx driver and YouTube.

If you have yet not seen the clip, taken by the surveillance camera of a customer whose delivery of a Sanyo monitor was shot put over a driveway gate, here it is.

Hard to tell what was going through the driver’s head — a tight timetable that did not correlate with the backlog of packages in his van, class warfare envy that the package recipient lives in a gated home and he doesn’t, the turbo ingredients of his 4th energy drink of the morning. . .could be just about anything. If he has shared those thoughts with FedEx, they have not shared them with the world. Here is a link and a blogpost to FedEx statements since the video has gone viral. They have taken the driver off the streets, reassigning him within the company. That has triggered a secondary PR backlash judging by the posted comments — unemployed capable people are incensed that this clown still has a job at FedEx. Worse, as Corky notes: “No the delivery man isn’t working with customers any more, but that doesn’t mean he isn’t throwing packages around a warehouse somewhere. Most of us would be fired for doing something like that. FedEx, you are hurting your other employees by keeping one who does such public relations damage to your company.”

FedEx, normally the model of reliability and efficiency, has been challenged by the actions of one driver and its own HR policies.

FedEx, normally the model of reliability and efficiency, has been challenged by the actions of one driver and its own HR policies.

So, yes, this delivery man will go through the rest of his life as that crazy Christmas delivery loon. However, the venerable FedEx has managed to make itself look foolish, too, by projecting a mysterious at best, clueless at worst image by responding to this viral video fiasco in a nebulous squishy-HR manner. FedEx made things right with that single customer, then managed to cause everyone else to question management judgment on what appears to be cut and dried grounds for dismissal. FedEx’s statement sounds vague in light of the video —“We do take this matter extremely seriously, and have initiated action in accord with our disciplinary policy, while respecting privacy concerns. Without going into detail, I can assure you that this courier is not delivering customer packages while we are going through this process.”

Just one more example that the people running America’s biggest corporations and institutions don’t understand crisis PR, let alone social media. It is sad when you think about how much money FedEx has invested in positive PR and advertising programs to build brand image. The initial damage done was inflicted by one poor excuse for an employee, but then management has compounded that damage by failing to act decisively to show that such outrageous conduct will not be tolerated.

And on that note, happy holidays and a wonderful and profitable 2012 to all!

Update: This is the 5th time I have had to repost this entry. FedEx lawyers must be working hard through YouTube to get all the viral video clips in the public domain taken down. It is a shame they did not put as much effort into their PR.

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