GhostSignProject.com

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Just as today’s musical artists resurrect the gems of giants from yesteryear (like Jack White’s cover here of Buddy Holly), graphic artists find unique ways to revitalize works from an earlier time.  An especially exciting locally based resource hit my radar when I was Christmas shopping in a local book store last month and so I bought a gift for myself — Fading Ads of Philadelphia by Lawrence O’Toole. This great coffee table chronicle captures some of the city’s surprisingly still vivid outdoor ads from another era. O’Toole has focused on ads painted on brick, some of which have not completely stood the test of time. But others are more than holding their own.

Fading Ads of Philadelphia

Fading Ads of Philadelphia by Lawrence O'Toole chronicles much of the city's advertising past.

Ironically, the same week I picked up his book, I happened to be paying a pilgrimage to Franklin Fountain for ice cream following a family outing to the Philadelphia Orchestra’s exceptional holiday concert. Returning to a rare available parking spot on North Front Street, I noticed some still prominent painted messages about metals on the white columns of the building near my meter. Turns out it had been home to Nathan Trotter Metals, a company that is still in business and operating in Coatesville and featured on pages 50 and 51 of Fading Ads of Philadelphia. Small world.

Just in case you have any difficulty tracking down a copy of O’Toole’s book published in 2012, the great news is that he has been documenting old ads on buildings in this city online for some time via a blog at GhostSignProject.com. Like all good branders and designers, O’Toole gives you many ways to follow the project, including Twitter, Facebook, and even soon an iPhone app that will let you capture your own sightings of old building-based outdoor ads. But I particularly encourage you to read the book, because there are a couple of very good Forwards, one by John Langdon that devotes a lot to typographic history, including somewhat recent history in this city at Armstrong Typography, and another by Frank Jump that touches on early national ad history contributions at Philadelphia’s NW Ayer. It is very cool that old Philadelphia ad history is new again.

One final thought — I am tired of hearing digital-only folks declare that print is dead. As great as digital is, its pixels are a lot more ephemeral than the inks used for books, magazines, billboards, and even outdoor murals. Thanks to Lawrence O’Toole for reminding us and finding so many amazing supporting examples.

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