Agencies

A Branding & Advertising Evolution: 1 in a Series of Musings Sparked by “The 100 Greatest Advertisements,” Julian Lewis Watkins, Dover Books, 1959

I’ve written about tobacco industry and government overreach before (here, here, here, and here). My feeling is that as long as tobacco is a legal product, and the government chooses to collect ever higher taxes from smokers, and as long as there are age restrictions and programs in place to educate young people, then there should be a balance. However, with the cost of employee health care guaranteed to keep rising, there will be ever-increasing pressure on people not to smoke, not to over eat, not to eat unhealthy foods, not to drink sugary drinks or those with artificial sweeteners, not to drive except to work, school, or essential errands, not to step off curbs. . .well, where does it end or does it ever end? The other day, I heard that some state is thinking of introducing legislation to prevent the public smoking of electronic cigarettes, the ones that produce no harmful byproducts or second-hand smoke, only steam. So, now it is the sight of someone deriving pleasure from an electronic device that simulates the smoking of a tobacco cigarette that is enough to cause psychic harm to bystanders? We have really lost our way.

When Ted Regan loaned me his copy of “The 100 Greatest Advertisements,” and began sharing Ayer stories, he didn’t know he was going to re-ignite the great tobacco/smokers’ rights debate again. This is rich territory that MadMen has visited in various episodes and might again this coming spring.

N.W. Ayer's introductory campaign to launch the then-new Camels brand.

It shouldn’t surprise anyone that one of the most iconic of cigarette brands began life as an N.W. Ayer account. When R. J. Reynolds blended a new cigarette that they wanted to roll out as a national brand, they acquired the Camel name from a small independent company in Philadelphia for $2,500. They then budgeted 10 times that amount, so Ayer could introduce it. First, there was testing to ensure the public liked the new cigarettes — many cartons were distributed and sold through the best retail stores in Cleveland, prominently placed on top of counters. Secondarily, it was moved to parts of stores where it competed for sales with regional brands. It did well in both areas of these stores. Ayer then developed a newspaper teaser ad campaign, coordinated with the implementation of new distribution, to create interest in demand for Camels (“Tomorrow There Will Be More Camels in This Town Than in Asia and Africa Combined”). The rest is brand history. Later on, a billboard painter was quoted as saying “I’d Walk A Mile For A Camel.” That was the genesis of one of the most famous slogans in advertising history.

This Lucky Strike campaign was aimed squarely at women and against candy.

Long before there were Virginia Slims, developed specifically to market as a women’s cigarette brand, the American Tobacco Company decided that Lucky Strikes could be effectively marketed (against the protests of the confectionary industry) as “Reach for a Lucky Instead of a Sweet.” Motion picture starlets were hired as spokespersons to pitch the dietary cravings advantage of cigarettes over candy to women. It was a huge success, and many believe that the campaign may have been the single greatest effort leading to creating women smokers.

Hedy Lamar continued the Lucky Strike trend of movie star brand spokespersons.

Conversely, the tobacco brand forever most associated with men is Marlboro, thanks to the efforts of Leo Burnett, where the marketing effort began. Ironically, Marlboro already existed as a high-priced exclusive cigarette sold to sophisticates and women at hotels, cigar stores, and nightclubs. Philip Morris wanted to take the brand for a new entry into the popular-priced filter field. They wanted to appeal broadly to men, and secondarily to women.

Long before the "most interesting man in the world" there was the Marlboro Man.

The filtered segment began in response to health concerns (more on that in a minute), but flavor was still critical in brand decision-making. Burnett realized that image was critical. And so, the Marlboro Man was born — the cowboy who bought a new brand of filtered cigarettes because he liked the taste and they came in a distinctive crush-proof box.

The Emperor of All Maladies, A Biography of Cancer, is the Pulitzer Prize-winning book by Siddhartha Mukherjee

Ironically, the other book I’ve been reading concurrently with Ted Regan’s loaned Ayer and advertising volumes is the exceptional, Pulitzer Prize-winning,“The Emperor of All Maladies” by Siddhartha Mukherjee, subtitled “A Biography of Cancer.”  Two later chapters touch on the battle to beat lung cancer, and the subsequent start of the government’s own battle with the tobacco industry. At that time, the tobacco industry was far more dominant than they are today. When Richard Doll and Bradford Hill published a ground-breaking study on lung cancer in 1956, the adult American population had reached a peak of 45 percent who smoked. On average, Americans smoked 11 cigarettes per day. Hard to imagine those numbers today.

"A Frank Statement," American tobacco's first salvo against medical studies linking smoking and cancer.

The study’s results for the first time strongly linked smoking, tar, and tobacco with lung cancer deaths, especially when contrasted against non-smokers. With bad publicity spreading, the heads of U.S. tobacco companies decided they could not sit back and ignore what would be increasingly damaging reports. The result was a counterattack that began with a full page ad in 400 major newspapers entitled “A Frank Statement.” The text cast doubt on the quality of the science (experiments on mice vs. humans, which actually was not the case in the Doll/Hill study) and disagreements in the medical community. The topping was the announcement that the industry would be conducting its own research by the Tobacco Industry Research Committee (no conflict of interest here). A recent trip to a Baltimore antique store hammered home to me that Big Tobacco’s efforts to assure the public of the safety of cigarettes didn’t end with “A Frank Statement.” Although it never evolved into a lasting brand, Country Doctor pipe tobacco may have been the ultimate attempt to mislead the public that cancer risks from smoking were minimal to the point that the medical profession had their own preferred pack.

Country Doctor brand pipe tobacco. To your health!

     Any trip to Wawa will tell you by the number of tobacco products behind the counter that Americans are still smoking, chewing, pinching, and spitting. But you’ve come a long way, baby, from a market share of half the adult population. Smoking is still a pleasurable, stress-relieving activity for a lot of people, but those who partake do so with the knowledge that they may face a bevy of health risks or early death down the road. If ever there was a product that the phrase caveat emptor was invented for, it’s cigarettes.